This gorgeous vintage piece with stunning appliques hit all of my furniture criteria; unique, intricate and striking. One of the heaviest and biggest pieces I’ve ever worked on, but definitely one of the most beautiful.
I used my go to paint these days, milk paint, in Pitch Black. Again, the milk paint did all the wonderful things I wanted it to: different shading of black and crackling and scaling. This stuff is fascinating to work with. I swear, when I start talking about my obsession with milk paint, people’s eyes glaze over. I’m nuts about this stuff!
After I painted and sanded her back to near wood, I focussed on the finishing. I rarely talk about this step, but topcoating is really the most important part of the process. It is also the most frustrating, time consuming, confusing and for most people, the most boring part of furniture refinishing but if you don’t do it, you’re certain to regret it. The first time you put a hot mug or wet glass on the piece, you’ll ruin it. For all you wanting to learn how to do this, don’t focus on the paint, focus on the topcoat.
I always say I put three layers of topcoat on the surface of the piece and two everywhere else, but that’s really the minimum. I topcoat until it’s near perfection and sometimes that takes 5 or 6 coats. I obsess about it! I pity the person that will ever have to strip down my work. They’ll be swearing on my grave for sure. 😉
Once the finish was done it was time to accessorize. Furniture hardware can be so much fun! I have a ton of knobs on hand and I think I tried everyone of them on this piece and none of them were right. In the end I realized that her original hardware was made for her. Whoever planned her out knew what they were doing. Although they were the perfect match in shape and size the brass was too brassy, so I painted and topcoated them too. I love how it all pulled together in the end. She’s a stunner!